Kenneth Freudigman is Co-Founder of Camerata San Antonio, Principal Cello of the San Antonio Symphony, Conductor of YOSA’s Symphony and Concertino Orchestras, former Education Director of the Cactus Pear Music Festival, and a highly-respected cello pedagogue.
Mr. Freudigman began playing the violin at age six and found his true love, the cello, at the age of nine. After six years of study, he was accepted to attend the prestigious Interlochen Center for the Arts. Upon graduating with honors in music performance, he went on to receive a Bachelor of Music from the Eastman School of Music. He began his orchestral and chamber music career while at Eastman, winning a position with the Rochester Philharmonic and was also a founding member of the Esterhazy Chamber Ensemble. In 1992, Mr. Freudigman joined the New World Symphony, an advanced training orchestra for recent graduates of music schools, under the direction of Michael Tilson Thomas. He has also performed with the Grand Rapids, Charleston, and Virginia Symphony Orchestras, as well as the Sarasota Opera and the Mexico City Philharmonic. Mr. Freudigman was also a founding member of the American Sinfonietta.
His orchestra and chamber music engagements have taken him to the major concert halls of Europe, the Middle East, and throughout South and North America. Mr. Freudigman has performed chamber music with members of the Amadeus and Cleveland Quartets and with the pianist Jean-Yves Thibaudet. He has been a featured soloist with the World Youth and New World Symphony Orchestras, the San Antonio Symphony and the Mexico City Philharmonic, where he was engaged to perform Shostakovich’s First Cello Concerto. Mr. Freudigman can be heard in recordings on the Argo and Summit record labels, featured with Renee Fleming and the New World Symphony Orchestra performing Bachianas Brasileiras by Heitor Villa-Lobos on BMG Classics, and on Camerata San Antonio’sGrammy-nominated premiere CD on Bridge Records, Salon Buenos Aires: Music of Miguel Del Aguila.
Emily Watkins Freudigman
Emily Watkins Freudigman joined the San Antonio Symphony Orchestra in 2002 as Assistant Principal Viola and is Co-Founder of Camerata San Antonio. Emily holds degrees in viola performance from Southern Methodist University, the Peabody Conservatory, and the University of Michigan and has been a Fellow at the Tanglewood Music Center and the Aspen Music Festival and School. She has studied chamber music with members of the Juilliard, Muir, Concord and Tokyo String Quartets, and she has performed with the Grand Rapids, Maryland, Fort Worth and Boston Symphony Orchestras. She maintains an active viola studio in San Antonio – her students perform in the Texas All-State orchestras, attend prestigious summer music camps, including the Eastern and Killington Music Festivals and Interlochen Center for the Arts and have gone on to study at the Cleveland Institute of Music and Peabody Conservatory of Music.
Paul Lueders, a native of Boston, Massachusetts, recently completed his studies at the New England Conservatory of Music (NEC) where he received both his Bachelor’s and Master’s Degrees in Oboe Performance. He studied with Boston Symphony Orchestra principal oboist John Ferrillo and Los Angeles Philharmonic second oboist Anne Gabriele. Paul has made principal oboe appearances with the symphony orchestras of Pittsburgh and Baltimore, and he is a regular substitute of the New World Symphony in Miami, Florida.
While at NEC, Paul participated in two honors-distinguished chamber music ensembles: The Zephyrus Wind Quintet, and Trio Auloi, a trio comprised of oboe, bassoon, and piano. As the Honors competition winner, Paul was granted two chamber music recitals in the world-renowned Jordan Hall. Paul has also made many solo appearances with orchestra, including a performance of Vivaldi’s Oboe Concerto in A minor with the Boston Accompanietta. He also performed the Bach Double Concerto for Oboe and Violin in C minor with the un-conducted NEC Bach Ensemble.
Among his summer festival experiences include two summers at the Aspen Music Festival, and one summer at the Music Academy of the West in Santa Barbara, California. In 2011, Paul was accepted as a fellow of the Tanglewood Music Center Orchestra in Lenox, Massachusetts. His performances during the 2011 season granted him an invitation to the festival for the following summer in 2012.
Described as an “eloquent soloist” (Boston Globe) who plays “with lucid heat” (New York Times), violinist Sarah Silver has a multifaceted and international musical career as a soloist, chamber musician, orchestral player, and teacher. After spending the past four seasons as Assistant Concertmaster of the San Antonio Symphony, she is currently the Acting Associate Concertmaster.
Championing contemporary music, Ms. Silver is particularly passionate about sharing the works of living and recent composers. As part of the 2014 Tanglewood Music Center’s Festival of Contemporary Music, she became only the second violinist to perform Steven Mackey’s violin concerto, Beautiful Passing. After spending three summers as a fellow, where she won the Jules C. Reiner Violin Prize, Ms. Silver was invited back to be a member of the New Fromm Players, a distinguished chamber music ensemble devoted to performing contemporary music. Performances of Elliott Carter’s String Quartet No. 1 as well as the United States premiere of Epigrams, Carter’s last written work, prompted Musical America to feature her as the New Artist of the Month for September 2013.
Residencies have included a teaching fellowship at Universidad EAFIT in Medellín, Colombia as well as two seasons in Hong Kong as an artist-in-residence for The Intimacy of Creativity: The Bright Sheng Partnership. Ms. Silver has also performed as a soloist with the San Antonio Symphony, Pittsburgh Symphony Orchestra, Carnegie Mellon Philharmonic, and Pittsburgh Civic Orchestra. Other music festivals she has performed at include Kneisel Hall, the New York String Orchestra Seminar, Spoleto Festival USA, and Aspen Music Festival.
Originally from Pittsburgh, Ms. Silver received a Bachelor of Music degree from Carnegie Mellon University, studying with Andrés Cárdenes, followed by a Master of Music degree from the New England Conservatory, studying with Malcolm Lowe. An avid teacher, she also pursued a minor in music education, earning K-12 certification as an undergraduate following student teaching placements in both general music and instrumental instruction. Following graduate school, Ms. Silver was a fellow for two years at the New World Symphony in Miami.
Simultaneously expanding her career into the business world, Ms. Silver has also served as Marketing Coordinator for the San Antonio Symphony since November 2017 and is pursuing a Master of Business Administration with a concentration in Finance at the University of Texas San Antonio.
Praised for her “voluptuous tonal hues” and “nuanced phrasing” by the South Florida Classical review, Anastasia Parker joined the San Antonio Symphony in the fall of 2011 and is currently acting as Assistant Concertmaster. Since relocating here she has enjoyed performing with Camerata San Antonio and the Alamo Baroque Festival as well as coaching students in the CASA String Quartet Seminar, the Youth Orchestras of San Antonio and various public school classrooms. Prior to her appointment with the symphony, she was a fellow at the New World Symphony in Miami Beach, FL.
Anastasia has recorded and toured with the Pittsburgh Symphony, taking her across Europe and Asia. She was a member of the tango ensemble, Tangueros De Ley, which allowed her to follow her passion for tango to Argentina in the summer of 2009. There she performed and taught classically, while immersed in the milongas and Pugliese-inspired bands of Buenos Aires. Anastasia also enjoys contemporary music, and aside from Piazzolla projects, she has appeared as a soloist playing David Stock’s “The Philosopher’s Stone” and a staged version of William Bolcom’s “Orphée Serenade.”
During the summer months, Anastasia has performed with the Strings Music Festival in Steamboat Springs, CO, the Colorado Music Festival in Lafayette, CO, the Sunflower Music Festival in Topeka, KS, and the National Repertory Orchestra in Breckenridge, CO where she was featured as a soloist.
Anastasia holds a Bachelor of Science degree in Music Education and Performance from Duquesne University, where she studied violin with Rachel and Charles Stegeman, and a Master of Music degree in Violin Performance from Carnegie Mellon University, under the tutelage of Andrés Cárdenes. Aside from music, Anastasia has an affinity for horses and dressage. She and her husband, Jaime, frequently rescue and foster kittens through SNIPSA with the permission of their three cats, Charlie, Lentil and Penelope.
Winner of the 2015 Astral Artists National Auditions, and Gold medalist at the 2012 New Orleans International Piano Competition, Viktor Valkov has been highly acclaimed by the critics as “lion of the keyboard” and “sensational”. Among numerous chamber music and solo appearances, during the last few concert seasons Mr.Valkov also performed with the Louisiana Philharmonic Orchestra, Baton Rouge Symphony Orchestra, Acadiana Symphony Orchestra, and West Virginia Symphony Orchestra.
Since 2002 Valkov has given a number of recitals in USA, Japan, China, England, Germany, Italy, Greece, Bulgaria, and Macedonia. A Japanese tour in 2002 took him to Tokyo, Toyama, Yokohama and Okinawa. In Bulgaria, Viktor Valkov appeared in performances with most of the major orchestras and at most of the important music festivals. In 2003, he received an invitation from the New Symphony Orchestra, and conductor Rossen Milanov, to perform Dimitar Nenov’s Grande Piano Concerto.
Thus he became the fifth pianist to perform that concerto and the only one to do the entire version. In 2007, Mr.Valkov made his debut with the Sofia Philharmonic Orchestra.
Mr.Valkov’s concert activities reflect a vast interest in the chamber music repertoire, as well as lesser known piano music. He frequently performs with the Bulgarian cellist, Lachezar Kostov, in a cello and piano duo. Both being deeply interested in broadening the repertoire for that medium, they often include in their programs composers like Kabalevsky, Roslavetz, Schnittke, Saint-Saens (the Second cello Sonata), and others. Their close friendship and professional collaboration began in 2000. In 2009, the Kostov-Valkov Duo gave their Carnegie Hall debut at Zankel Hall. In 2011 they won the Liszt-Garisson International Competition, where they were awarded First Prize, the overall Liszt Prize as well as all the special prizes in the collaborative artists category.
As a solo performer one of Mr.Valkov’s latest projects featured Busoni’s Fantasia Contrappuntistica as the focal point of his concert programs. During the 2011-2012 Viktor Valkov presented a program of music from the 1600’s including composers like Froberger, L Couperin, Frescobaldi, Buxtehude and selections from the Fitzwilliam Virginal Book.
Mr.Valkov has made a number of recordings for the Bulgarian National Radio archive, many of which have been broadcast. He has also recorded for Bulgarian National Television and Macedonian Radio and Television. In 2008 he recorded the entire music for cello and piano by Nikolay Roslavets in collaboration with the cellist Lachezar Kostov. In 2013 he recorded the piano music of Dimitar Nenov. Both CD were released by NAXOS. A new CD released by Navona Records in 2015, also recorded with cellist Lachezar Kostov, features the duo’s own transcriptions of virtuosic piano pieces by Franz Liszt.
Viktor Valkov is currently a Visiting Professor of Piano at the University of Utah in Salt Lake City.
Matthew Zerweck (matthewzerweck.com) began his music studies at age 5, after watching Itzhak Perlman perform on the children’s television show, “Sesame Street.” After studying with several esteemed artist teachers, he entered the Eastman School of Music, where he frequently led the Eastman Orchestras as Concertmaster. He earned degrees from the Eastman School of Music (BM, MM), where he served as teaching assistant to the world renowned violinist and teacher, Charles Castleman.
Formerly the Assistant Concertmaster of the San Antonio Symphony (2008-2012), Matthew teaches violin full time in San Antonio. His private students frequently gain entrance into the TMEA All-State Orchestra and pursue music degrees at competitive colleges and conservatories. In 2016, one of his current students will be a featured soloist with the San Antonio Symphony.
Matthew is director of the Cadenza Academy of San Antonio. Recognizing the importance of building a strong community of string playing and teaching, he intends to bring the most dedicated and talented teachers and students together for music classes, lessons, and group playing. As part of this project, Matthew has developed a new violin method for students in private and group lessons, “The Zerweck System.”
In San Antonio, Matthew has been active in a wide variety of projects. He premiered Arthur Williford’s contemporary Violin Sonata in San Antonio. He’s performed major concertos with the UIW Orchestra and Youth Orchestras of San Antonio. He is a course director for a music and medicine course, “Patient Notes,” at UTHSCSA, and occasionally performs on the Music for Healing Series. In 2015, he recorded the lead violin parts for “Upon the Awful Tree,” an independent film with an original score by Matt Dunne. In his free time, Matthew enjoys spending time with his wife, Nancy, and two cats, Spartacus and Sub-Zero. He enjoys cooking, reading, and gardening.